Guess who wants their name (and their reputation) back?

As part of my ongoing investigation of pop culture influences on the ‘halfbreed’ trope that I grew up with, I’ve been spending time with western novels from the 50’s, 60’s and 70’s. I’m applying counter mapping principles to support or challenge the narrative of the ‘halfbreed’ hero in the illustration. These beaded and stitched paths are my commentary. Counter mapping has been used to indicate traditional territory and to ‘counter’ political boundaries. In this case I want to challenge the boundaries that crop up when stereotypes are perpetuated through illustrations like these. This piece is an enlarged back cover of Comanch an old western novel printed on rag paper beaded with number 10 beads and sewn to a linen backing. It is offered for sale on my website where you can find more details and similar works.

First

Here is a photo of my artwork hanging in the UNBC Rotunda Gallery. It's a digitally woven blanket with beadwork applied on the letters and some of the shapes and forms. I used a photo of 'Mrs. Gullion' (Athabasca Archives) and placed her within my own drawings. The text running along side her on the left is from a scan of the original Metis land scrip document issued to George and Margareta Gullion for their son, Franklin Gullion (my great grandfather). It says, "was the woman half-breed, indian or other? ....Halfbreed." I could go on about the derogatory meaning that is now attached to the label 'halfbreed' but in 1900 that was how Metis people were referred to. There is an excellent essay on the subject at this link: http://scaa.sk.ca/ourlegacy/exhibit_scrip It describes the process by which using land scrip Metis people were stripped of their aboriginal title to a traditional land base.

I think the blanket looks amazing between the wooden lamps. Thank you to the group who put together the show for the Aboriginal Women's Honouring at UNBC.